Skylarking

Skylarking
Studio album by XTC
Released	27 October 1986 (1986-10-27)
Recorded	1986 at Utopia Sound Studios, Woodstock, NY and at The Sound Hole Studios, San Francisco
Genre	Psychedelic pop, New Wave
Length	50:09
Label	Virgin Records/Geffen Records
Producer	Todd Rundgren
XTC chronology
25 O'Clock (1985) Skylarking (1986) Psonic Psunspot (1987)
Singles from Skylarking
"Grass" Released: August 1986 "The Meeting Place" Released: February 1987 "Dear God" Released: June 1987
Alternative cover
2010 Remaster LP cover

Professional ratings
Review scores
Source	Rating
Allmusic	[1]
Mojo	(favourable) [2]
PopMatters	(favourable) [3]
Q	[4]
Robert Christgau	(A-) [5]
Rolling Stone	(favourable) [6]
Uncut	(favourable) [7]

Skylarking is XTC's eighth studio album, released on 27 October 1986 and produced by American musician Todd Rundgren. Skylarking is a "life-in-a-day" semi-concept album which displayed songwriting and arranging heavily influenced by The Beatles, The Beach Boys and The Kinks. The title of the album was inspired by Percy Bysshe Shelley's poem To a Skylark and many of the songs expand on the pastoral themes of their 1983 album, Mummer, most notably "Summer's Cauldron" and "Season Cycle".

Contents 1 Recording process 2 Multiple versions 3 Singles 4 Videos 5 Critical response 6 Chart position 7 Track listing 7.1 Virgin Records LP: V 2399 7.2 2001 Virgin Records Remastered CD: CDVX2399 8 Personnel 8.1 Additional personnel 9 Credits 10 Charts 11 References

Recording process

The album was produced by Todd Rundgren after the band chose his name from a list of potential producers submitted by its label, Virgin Records. The recording sessions took place in early 1986, at Rundgren's upstate New York recording studio. Rundgren convinced the band that the songs which Andy Partridge and Colin Moulding wrote would form a concept album. It was recorded track to track on one reel of 2 inch tape. The segue between "Summer's Cauldron" and "Grass" was performed in the studio.^[8] The sessions were fraught with tension, due to creative differences between Rundgren and Partridge. In the book XTC: Song Stories by Neville Farmer, Partridge says:

"(Rundgren) was so bloody sarcastic, which is rare with Americans. He's got it down to an extremely cruel art. He'd ask how you were going to do the vocals and you would stand in front of the mic and do one run through to clear your throat and he'd say, 'That was crap. I'll come down and I'll record me singing it and you can have me in your headphones to sing along to.' I just thought it was so insulting."

However, in the same interview, Partridge acknowledged Rundgren's contributions to the album, saying:

"He did do great things musically. The arrangements were brilliant and I don't know how he came up with them... The bloke is ludicrously smart when it comes to certain things."

Elsewhere in Song Stories Moulding called the finished product "my favourite album so far", even 12 years and several more albums after Skylarking's release.

Most of the album was recorded at Rundgren's studio in Woodstock, with Prairie Prince's drums being recorded in San Francisco. Partridge admitted that this caused some problems when recording "That's Really Super, Supergirl" due to the snare being sampled from Utopia's Deface the Music, forcing both Prince and Moulding to play around the beat.^[9] The solo was played by Gregory on Eric Clapton's famous psychedelic Gibson SG.

Multiple versions

Original versions of the album contained 14 songs but omitted "Dear God", a pointed, anti-theistic song. This track was originally the B-side to the UK single "Grass", but due to its popularity with American DJs (who "flipped over" the record to play "Dear God"), the album was reissued in the U.S., with "Mermaid Smiled" cut from the album and "Dear God" cross-faded into the following track, "Dying", giving the second edition of the U.S. album a slightly revised track sequence. (Despite the extra airplay and availability, "Dear God" missed the Billboard Hot 100 singles chart, though it did make it to #37 on the Mainstream Rock Tracks chart.)

In Canada, the album was reissued without cutting any songs, but with "Dear God" added to the end of the CD version (the same song order as the 2001-02 reissue.) Other artists have re-recorded the song, including Sarah McLachlan. On 28 May 2001, Virgin Records released a remastered version of the album in the UK with "Dear God" added; this was released in the US in 2002 on the Caroline Records imprint. The b-side "Extrovert" was also recorded in these sessions and later appeared on the 1990 compilation "Rag and Bone Buffet".

In 2010 Andy Partridge's APE House label released the album exclusively on vinyl, with a standard release and deluxe board book edition. The album is spread out over two discs and cut at 45 rpm to "make the high end clearer and smoother." The release also features the cover art planned for the albums original release that was "banned" by Virgin.^[10] The album has been remastered by engineer John Dent for this release. Dent discovered that the album's original mix had reversed sound polarity and was able to fix this error.^[11]

Partridge has stated that the remastered album cannot yet be released on the APE imprint through digital formats because Virgin has retained the digital rights.^[12]

Singles

The singles from the album were "Grass" (released 16 August 1986), "The Meeting Place" (released 2 February 1987), "Earn Enough For Us" (in Canada and Australia only) and, due to its popularity arising out of college radio as the last song on the "Grass" UK 12" single, "Dear God" (released 1 June 1987). "Dear God" reached No. 37 on the Billboard Rock Album Tracks chart and received the Billboard Best Video award for 1987.

Videos

Promotional videos were made for "Grass" and "Dear God" (both directed by Nick Brandt). The Channel 4 music program The Tube also produced videos for "The Meeting Place" and "The Man Who Sailed Around His Soul" filmed in Portmeirion with the band wearing costumes from The Prisoner. The "Dear God" video was also nominated for the categories Best Director, Best Concept, and Best Innovation for the MTV Video Music Awards for 1987.

Critical response

The album was praised highly by critics. In 1989, it was ranked #48 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s (despite having panned the album in a 1987 review). Pitchforkmedia ranked the album #15 on their Top 100 Albums of the 1980s, calling it a "beacon of psychedelic greenery".

Chart position

The album reached No. 90 on the UK album chart and No. 70 on the US album chart.

Track listing

All songs written and composed by Andy Partridge, except where noted.

Virgin Records LP: V 2399

The tracks on the original Geffen Records U.S. album release (GHS 24117) was identical to the Virgin Records album, however the album was quickly reissued with the track "Mermaid Smiled" removed and "Dear God" placed after "The Man Who Sailed Around His Soul".

2001 Virgin Records Remastered CD: CDVX2399

Personnel

• Andy Partridge – vocals, guitar
• Colin Moulding – vocals, bass, and bonfire
• Dave Gregory – vocals, guitar, piano, synthesizer, Chamberlin, string arrangement on "1,000 Umbrellas" and the odd tiple

Additional personnel

• Prairie Prince – "the part of the time bomb (i.e., drums)"
• Beech Avenue Boys (i.e., XTC) – backing vocals
• Todd Rundgren – orchestral arrangements, computer programming, melodica on "Summer's Cauldron", keyboards on "Grass" and "That's Really Super Supergirl", and backing vocals
• Mingo Lewis - percussion on "Mermaid Smiled" and "The Man Who Sailed Around His Soul"
• John Tenney - violin
• Emily Van Valkenburgh - violin
• Rebecca Sebring - viola
• Teressa Adams - cello
• Charlie McCarthy - alto and tenor saxophone, flute
• Bob Ferriera - tenor saxophone, piccolo, bass clarinet
• Dave Bendigkeit - trumpet
• Dean Hubbard - trombone
• Jasmine Veillette - vocals on the first verse and final line of "Dear God"

Credits

• Produced and engineered by Todd Rundgren
• Additional engineering by Kim Foscato at The Soundhole Studios and George Cowan at Utopia Sound Studios
• Mastered 1986 by Greg Fulginiti at Artisan Sound Recorders
• Remastered 2001 by Ian Cooper at Metropolis Mastering
• Remastered 2010 by John Dent at Loud Mastering
• Additional engineering by Chris Anderson

Charts

Album

Year	Chart	Position
1987	The Billboard 200	70

Single

Year	Single	Chart	Position
1987	"Dear God"	Billboard Mainstream Rock Tracks	37

References

XTC Andy Partridge Colin Moulding Dave Gregory Terry Chambers Barry Andrews Studio albums White Music Go 2 Drums and Wires Black Sea English Settlement Mummer The Big Express 25 O'Clock Skylarking Psonic Psunspot Oranges & Lemons Nonsuch Apple Venus Volume 1 Wasp Star (Apple Venus Volume 2) Live albums BBC Radio 1 Live in Concert Compilations Waxworks: Some Singles 1977–1982 Beeswax: Some B-Sides 1977–1982 The Compact XTC Chips from the Chocolate Fireball Explode Together: The Dub Experiments 78-80 Rag and Bone Buffet: Rare Cuts and Leftovers Drums and Wireless: BBC Radio Sessions 77–89 Fossil Fuel: The XTC Singles 1977–92 Upsy Daisy Assortment Transistor Blast: The Best of the BBC Sessions Coat of Many Cupboards Apple Box Other albums Homespun Homegrown Instruvenus Waspstrumental Related articles Discography The Dukes of Stratosphear